1.3  Modelling pronunciation

 

Most native speakers of English have not formally studied the mechanics of English pronunciation, so this is an area in which it would be helpful to do some homework so that you are prepared to explain how sounds are made if called on to do so. However, you will almost certainly be expected to serve as a model for pronunciation, and for this purpose a limited amount of choral drill can be useful. Steps for such a drill would be as follows:

1) Choose a text that represents normal spoken English (as opposed to more bookish language). A dialog from your textbook would be a good choice.

2) Read sentences aloud, clearly but at a fairly normal speed. Have students listen to each sentence once or twice before attempting to repeat it. Remind them that they should be listening to and trying to mimic the rhythm, stress, and intonation patterns of your speech as well as your pronunciation.

3) Build up longer sentences from the end, starting with the last few words, and then adding the previous ones. Ex: "...give you money?" "...expect me to give you money?" "Do you really expect me to give you money?" (This approach tends to preserve sentence intonation better than working from the beginning.)

One fun way to practice the rhythm of English sentences is by taking a dialog from a book, preferably one with short sentences, and turning it into a "jazz chant." In essence, this means finding the natural rhythm of each sentence and then chanting it with emphasis on the key words, something like a group cheer at a football game or a chant at a protest rally ("Hell no, we won't go" and so forth). Clapping or pounding desks adds to the festive nature of the activity. This exercise is particularly good for driving home the point that not all words in English sentences get equal stress.

Suggestions:

If you want students to prepare choral drill of a dialog before class, it is best if they have a taped model to work with. Without having heard a dialog before they repeat it, they may wind up polishing an incorrect performance.

Choral drill is best in small doses. It generally only takes a short period of drill for students to get the point you wish to make, and drill beyond that point rapidly turns into mindless parroting. [4,58]

1.4  Performance of a text

 

Once students are able to repeat accurately after a spoken model, the next step is to have them practice speaking from a written text. Keeping pronunciation accurate while reading a text aloud is more difficult than repeating after a teacher, but it is still easier for students than maintaining correct pronunciation in free conversation because they can focus their attention on pronunciation rather than grammar or word choice.

One way to do this is to choose a text and copy it for students. If the goal is to teach daily conversational English, it is best if the text represents normal spoken English, though an argument can be made for sometimes including texts of literary and cultural merit (famous orations, poems, etc.) that were also intended to be read aloud or recited. Having chosen a text, go over it with students in class and have them take whatever notes they need on pronunciation, syllable stress, sentence intonation and stressed words. Next have students practice reading the text aloud (either in class or at home). Students should become very familiar with the text. Finally, either have students perform the text in class or -- if the equipment is available -- have them tape a reading of the text. The advantages of the latter approach are that students don't all have to listen to each other read the same text, and that you can listen at your leisure. [5,95]

 

1.5  Aspects of pronunciation

 

Many students tend to think of pronunciation primarily as accurate production of the sounds of English words, but this is neither the only aspect of the problem nor the only important one. Consequently, one way in which you can help students improve is by ensuring that they are aware of all of the important issues. (see Appendix 4)

1) Accurate pronunciation of sounds: This is really two problems, one of ability and one of knowledge. Students first need to learn to pronounce as many of the sounds of English as possible accurately. The particular sounds with which students will have difficulty depend to a large extent on students' first language, but there are some sounds in English such as the "th" sounds in "think" and "this", or the short vowels in "head," "hit," and "put" which are difficult for students from many language backgrounds.

The second problem is making sure that students know what sounds they should pronounce in a given word. Common pronunciation problems include omitting sounds, adding extra ones, or simply pronouncing the wrong sound.

2) Syllable stress: Unlike many other languages, English requires that one syllable in each word be stressed more than others. The importance of putting the stress on the right syllable in English cannot be underestimated; putting the stress on the wrong syllable is more likely to make a word unintelligible than is mispronouncing one of its sounds. For many students who are especially hard to understand, misplaced syllable stress is the main problem.

3) Sentence word stress: In English sentences, not all words are given equal emphasis. Key words (usually the words that contain new or important information) are stressed and pronounced more slowly and clearly than other words. Take, for example, the question "Are you going to go to Boston?" If the focus of the question is on where the listener will go, the sentence will sound something like "Ya gonna go ta Boston"; the word "Boston" would be pronounced clearly and with more emphasis. If, in contrast, the emphasis is on who is going, the sentence would sound like "Are you gonna go ta Boston?" While students don't necessarily need to learn to reduce the unimportant words in sentence, they should learn to stress key ones. (Students should also be made aware of English word reductions for listening comprehension.)

4) Sentence intonation: Intonation patterns in English sentences primarily indicate the degree of certainty of an utterance, i.e. whether it is a statement, question, or suggestion. Statements rise to a plateau, and then end with falling intonation. Most questions end in rising intonation; however, Wh- questions (who, what, where, when, why and how) end with falling intonation. It is important for students to learn these patterns not only in order to communicate meaning, but also in order to avoid unwittingly sounding rude or indecisive.

5) Enunciation: A final important aspect of pronunciation is clear enunciation. Some students lack confidence in speaking or are unsure of their pronunciation, and therefore speak either very quietly or unclearly. Obviously this makes them more difficult to understand, and students should therefore be reminded that speaking audibly and clearly is an important aspect of pronunciation.

The ideal approach to student pronunciation problems is for you to work individually with each student, listening for problems, explaining the proper pronunciation (intonation, etc.), modelling correct pronunciation, and listening to the student practice. However, this is usually not possible because of time limitations and class size, so the discussion below will focus on approaches which can be used with a class. [6,52]


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Раздел: Иностранный язык
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